Fiction is made up of words...and all words have connotations. Connotations are the resonances (or side messages) that a word has beyond its literal meaning. For example, all of the following have the same literal meaning (or denotation), but different connotations:
Female parent Ma
Mother Mammy
Mom Mater
Momma
"Female parent" is cold and clinical. The others have varying degrees of connotational baggage. "Mammy," for example, has a strong whiff of the south; "Mater" is the sort of word Monty Python would use when making fun of upper-class twits.
You can never completely control the connotations associated with wordsthe word "Mother" stirs up different emotions in different readersbut you can try to be aware of the most likely associations and use them to your advantage. When a son addresses his mother as "Mom," it has a different emotional flavor than addressing her as "Mother" or "Ma". You have to be aware of those emotional flavors, or you won't be in control of the side messages your writing is sending out.
I want to stress that all words have connotations. I started with "mother" because it's obviously a loaded word, but every word has side messages, however subtle they might be. Here's another set of examples:
"I'm a murderer."
"I'm the murderer."
"I'm your murderer."
These sentences only differ by a single word, and those differing words are so small and common you might think they're insignificant. However, you should feel how the sentences evoke different emotions:
Of course, these sentences could have different meanings
depending on their context in a story...but even on their
own, they show that changing one small word can
substantially change the inherent side messages of what
you're writing.
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Copyright © 2001, James Alan Gardner